hecker

Amateur essayist, anime & manga fan

Resident of Howard County, Maryland, systems engineer, and amateur essayist and data scientist. Author of the book That Type of Girl: Notes on Takako Shimura's Sweet Blue Flowers.


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This Sunday night’s poet, the last of 2023, is Wallace Stevens, a contemporary and friend of William Carlos Williams. Like Williams he had a fairly demanding day job, in his case as an executive at a life insurance company.

Stevens seems to me someone of an artistic and (perhaps to his contemporaries) “unmasculine” temperament who, led first by his father (who demanded he go to law school in order to be able to earn a living) and then perhaps by his own choice, split himself into two pieces:

On the one hand we have Wallace Stevens the corporate vice president, ensconced in the world of business, living in the upper-middle-class environs of suburban Connecticut, and enjoying manly pursuits like fishing trips to Key West—on one of which of which he got into a fist fight with Ernest Hemingway. (Stevens also shared in the casual racism so prevalent at the time—no one today would think of titling a poem “Like Decorations in a N----r Cemetery,” as Stevens once did.)

On the other hand, there’s the Wallace Stevens who hoped as a youth to make a living as a writer, enjoyed the artistic life of New York City, and wrote and published esoteric poetry that his fellow businessmen could neither understand nor appreciate.

Those who knew Stevens at his work thought him “cold.” Since we’re starting winter here in the northern hemisphere, I thought I’d go with perhaps his coldest poem, “The Snow Man”:


One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.

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in reply to @hecker's post:

I love that last line. Among many things, it suggests a separation from ruminating(such as anxious ruminating), as well as(alongside the misery line) distance from “oh, rain makes me sad” or “the dog looks like it is smiling and so must be happy” or projecting symbolism onto moments of seasons.